Music & Inspiration

Yesterday’s studio session brought something unexpected. Broadcasting simultaneously on YouTube and Bandcamp whilst recording completely new tracks created this unique energy where creative work became shared experience. The songs we captured don’t exist anywhere else yet, which made everyone watching genuine first listeners. There’s something vulnerable about letting people hear material before it’s fully formed, […]

The news arrived quietly, but the significance feels enormous. ‘Boy’ has won First Prize for Original Composition at the UK International Music Competition 2025 Season 3, organised by the World Online Music Competitions Organization (WOMCO). This recognition comes at a particularly meaningful moment. ‘Boy’ represents one of my most transformed tracks—what began as simple guitar

Yesterday’s jam session delivered exactly what outdoor collaborative music should achieve. Eastern Krylatskoye Hill became temporary musical community where strangers transformed into ensemble players through shared creative language. The atmosphere captured that perfect balance between structure and spontaneity. Musicians arrived throughout the evening, adding layers to existing musical conversations or initiating entirely new directions. Guitars

Confession time. The studio has become my second home lately, and we’re crafting what might be the most emotionally heavy track I’ve written yet. This new song pulls from a different emotional well than anything on ‘НА ВЕСЬ МИР’ (To the Whole World). The working process feels different this time around. Where previous tracks often

Yesterday’s Bandcamp listening party felt exactly like I’d hoped it would. Intimate, genuine, properly connected. We went through the entire EP together whilst chatting in real time, and those forty minutes showed me what direct artist-listener dialogue can actually achieve. The questions came naturally. People wanted to know about my stage name LEMY (meaning ‘let

Something rather exciting just happened. ‘Land of Light’ is now properly available on Bandcamp, which feels like the right platform for this collection of tracks. There’s something honest about Bandcamp’s approach to independent music that aligns with how this EP came together. The platform offers a different listening experience than streaming services. Higher quality audio,

Russian crept back into my songwriting, and I’m still processing why. ‘Там, Где Ты’ emerged during a particularly restless period—one of those nights when guitar strings felt like the only honest conversation available. The repetition wasn’t planned. ‘Там где ты, там где ты’—it just kept spilling out, becoming this almost hypnotic mantra about emotional geography.

It happened. Sunday’s Formula Indie broadcast featured HIGH alongside thirty-one other independent artists from across the globe, and the international scope feels properly exciting. Hearing your track sandwiched between Fredrika Rei’s atmospheric ‘Giulietta’ and Anthony Mandarano’s synth-driven ‘Together in Electric Dreams’ puts things into perspective about where independent music actually lives. The episode demonstrates what